Through Walter's Eyes

Why not! Why won't Mama give me the money to buy that store?  If we do invest it, we'll be able to buy a house ten times greater than the ones in Clybourne Park.  Ruth tells me she doesn't want God blaming her for all of the things customers might do drunk.  If she is giving me the money, how is the liquor store going to be on her ledger when she meets God?  Stupid old-fashioned mindsets.  Now with Ruth and the new baby, Mama is going to be even tighter about the money and will ignore the fact that the child won't be born for at least another 6 months.  Before then, I can get this family swimming in cash if she would allow me.  Beneatha will be able to go to medical school a thousand times if she wanted to, and I would let her; she needs to stop acting like if I have the money then she will never be able to go.  It's not like I don't want her to go, but I hate that she puts her education over the potential prosperity of the entire family.  I have Travis' education to worry about too, so it's not like I'm planning on throwing the money away!  I do not want to die telling my son "stories about how rich white people live..."(Hansberry 34).  Bobo and Willy are my only friends; isn't it truly shameful when a man's only friends are not even part of his family!

You didn't even look at it!

How Do I Include Moses?!

Today, the fictional stories we make up are still quite grounded in reality but run the risk of being reduced to stories of entertainment rather than stories of moral truth because of their specific nature.  Dexter in Winter Dreams is not the protagonist of a very heroic story.  Nothing in Winter Dreams on the scale of "Once upon time, there was Moses!  He helped a lot of people!" (I'm not necessarily claiming that was fictional, just comparing the level of heroism in both stories)  On the other hand, Dexter entertains Judy for a month and 3 days total and loses 5 years of life to unrequited love; on top of that, he wastes the time of his fiancee Irene Sheerer.  Once he realizes that everyone sees Judy as a average housewife, he "felt like getting very drunk" (Fitzgerald 957) until he saw pink elephants.  Very heroic indeed.  Fitzgerald's stories are can easily be reduced to simple pieces of interesting rhetoric that leave a lasting impression but do not affect us, the audience, directly.  Certain facets in Winter Dreams such as: Dexter's success, Judy's looks, and World War I, are not things that we can directly experience in day-to-day life nor are they things that we may want to experience.  Many times, the deepest meanings and applications to modern society found in Fitzgerald's stories require extensive logic and are at times stretchings of imagination.  Dexter's suffering can be taken to be as deliberate as it is truly agonizing because unrequited love, although being a realistic problem, is not one that is widespread nor considered serious.  Although the story of Moses is hard to emulate and apply to the modern day, its moral implications are still obvious and direct the lives of many whereas Dexter's story applies to a minority of people unlucky in love.

Better than Dexter.

Rose-Colored Glasses

When you were a child and really wanted something, your parents gave you a reluctant promise of providing it but what did they always say?  "Don't get your hopes up."  Yet our minds' tendency to dream and romanticized things makes this extremely difficult.  Romanticizing the past does nothing but stunt the present.  The more someone thinks and makes the past seem better than it was, the more they want to go back to it.  When this happens, he/she become so infatuated with the past that they stop developing his/her current life.  This is exactly what happens to Gatsby, "He talked a lot about the past, and I gathered that he wanted to recover something...His life had been confused and disordered since then," (Fitzgerald 110).  Another danger of romanticizing the past is the fact that if the past is partially reclaimed (Gatsby at least reunites with Daisy), the romanticized subject is never as impressive as dreamed-up counterpart.  To put this into context, when Gatsby gets Daisy to see his house after having tea at Nick's "Daisy tumbled short of his dreams-not through her own fault, but because of the colossal vitality of his illusion" (Fitzgerald 95). This proves that romanticizing the past does nothing but bring dissatisfaction and the same occurs when the future is romanticized.  Luckily, we tend to do the latter less often but it is still important to "define it[dreams] differently" (Glassner) when times become tough and the dreams move farther out of reach.  The danger with not following Glassner's advice is feeling disappointed whenever our dreams are mostly realized but certain facets are left out.  Dreaming is fine and healthy within reason, but romanticizing the past always keeps us stuck in the past, so our best course of action is keep those "rose-colored glasses" off.

Sources:

The Great Gatsby by F. Scott Fitzgerald

http://www.nytimes.com/2009/05/08/us/08dreampoll.html?_r=0

The Green Light

"I could have sworn he was trembling.  Involuntarily I glanced seaward-and distinguished nothing except a single green light, minute and far way, that might have been the end of a dock.  When I looked once more for Gatsby he had vanished, and I was alone again in the unquiet darkness."  (Fitzgerald 21)

This passage has elicited the most profound reaction from me.  It is a great example of the masterful imagery found in The Great Gatsby.  In my mind, the scene takes place in a cold, dark night, and Gatsby is only barely visible.  There is a thick mist across the sea and the green light fractures in every droplet with a slow, beating frequency similar to the core of dead star.  This scene also adds depth to the personalities of this historical era of excess and extravagance.  We don't know anything about Gatsby at this point in time other than the fact that he is extremely rich.  People usually assume that rich people is perfectly fulfilled but this scene shows otherwise.  The trembling hints at a void in Gatsby's life and a strong desire for something important, something money can't buy.  The misty night, the shrouded personality of Gatsby, and the fact that we are viewing this world through the eyes of Nick Carraway, who is still figuring out where he fits in this complex, high society, create such a strong air of mystery that makes this book impossible not to continue reading.  This passage is a wonderful example of keeping a novel interesting and engaging from the onset.

We Change, So Must Language

What critics of grammatical evolution don't understand that is that they are fighting for a lost cause.  Language has and will continue to change as long as it is in use.  It will never reach the point of simplicity to where our sentences look like "Gr8 C u l8r @ skul" (Hitchings) so such fears are baseless.  This is proven by the fact that the users of this kind of language-which is pretty much everyone with a cell phone-do not use it in formal writing.  There must be a solid, complete, and universal allowance of such language for it to become the norm, but there are no seemingly rational circumstances under which this would come to pass.  The fact that Elizabeth Austen claims that there is a "dogma of the period" (Austen) exposes the unnecessary nature of rules as strict as they currently are.  Statements like these from accomplished authors like Austen have sufficient credibility because of the fact that their career choice was based on a love for writing, and complaining about something one love highlights the fact that there may be true flaws in a system that deserve consideration.  Lewis Thomas expresses dislike of certain rules and marks in statements like "Exclamation points are the most irritating of all" (Thomas) and "Colons are a lot less attractive" (Thomas); now, such complaints would be acceptable to hear from a teenager-who may not have mastery of such devices and is thus frustrated-but these are coming from a man has gained mastery of punctuation but still dislikes it.  It again emphasizes that, through a rational viewpoint, certain aspects of grammar and punctuation is obtuse and in need of revising.  The tumultuous opinion Ben Dolinick has had about semicolons as a result of Kurt Vonnegut's opinions brings up the question of who should we trust?  The answer is Vonnegut because of the mark he has made on English Literature as a whole which gives the ethos required to propose massive revisions in it.  The changes in language never happen because frustrated teenagers have a tough time dealing with it, but because the champions of the field truly believe that something in their line of work is amiss and needs fixing in order to be more accessible but equally enjoyable for all.

It won't get this bad, but everyone acts like it will

Morrison's Beautiful Language

"So strong was her affection and zest for life" (Morrison 69)

This particular line stuck me because of the contrast it illustrates between Velma and, quite frankly, every other character in the Bluest Eye.  Considering the fact that interracial marriage was a social taboo at the time of Elihue's youth, Velma is likely African American, but she carries a characteristic that no other African American character except perhaps Maureen does  The contrast this line creates makes it beautiful because it marks a refreshing change in diction for a period in the novel.  It made me interested in how her positive outlook on life will affect the content of the chapter.  I believed she might have a positive and drastic effect on Elihue, or may do things that improve her life and those around her.  However, that turned out to be a naive notion.  The broken man she leaves Elihue as on the next page keeps the novel's tone intact but also displays another positive characteristic in Velma, strength.  Despite living a subsistent existence before her marriage to Elihue, Velma chose to return to it instead of carrying out a boring but comfortable one with him.  She values her time spent on this Earth and doesn't want others selfishly wasting it; she makes the most of the life she is given, no matter how little she has been given.  Unlike Pecola, who only wishes for things in her life to improve, Velma takes the initiative in incrementally improving her life.  By including this line in The Bluest Eye, Morrison creates verisimilitude by including the fact that the real world is not populated by deeply flawed or hurt people, some people simply find a way to thrive against all odds.

The pawn, like Velma, does not falter in the face of adversity

Sources:

The Bluest Eye by Toni Morrison

The Responsibility of the Community

Many people from many different communities have a hands-off approach to their surroundings.  If someone is being harassed in public, some people just walk by.  If someone is beat up at school and the staff does not know about it, most of the students who spectated to do not alert authorities because its "Not my problem".  Is this pragmatic approach of not helping others with their problems justified? The short and simple answer is no.  To elaborate, we live where we do in society in order to help each other and improve both our lives and those of others.  That is the essence of what makes us a town, city, or country.  Paying taxes helps the government make improvements for everyone.  However, that won't help the victimized school kid nor the family of the town drunkard.  People have a responsibility to help others when they do not share the same problems in order to equalize their positions.  It is true that helping others is a group effort and that getting between fights can be dangerous, but it is also true that group efforts start with an individual to ignite them.  Another way to think of this is "No one has to do everything… but, everyone has to do something. We all can do our part to have each other’s backs." One person needs to take the initiative in order for others in a community to help their fellow residents.  The civilian-to-police ratio is hugely disproportionate and it is impossible for everyone to be completely safe as a result of police work alone.  Community members must help.  Also, police officers are still human, thus their righteousness is not guaranteed.  The only way a community can be truly safe, is if its members take an active interest in ensuring the safety of their fellow members.  The lack of this characteristic in Pecola's community one of the root causes of its current harshness.

No help from bystanders

Sources:
The Bluest Eye by Toni Morrison
http://www.ihollaback.org/resources/responding-to-harassers/